Anastasia Bogomolova is a multidisciplinary artist based in Yekaterinburg. She works with installations, photography, performance, and sculpture. Her art projects are connected to studies of the flexibility of memory and oblivion, as well as mythical archetypes and images of traces in the landscape. In her practice, she often turns to the method of mimicry. Bogomolova is a winner of multiple prizes and grants including the ones from Garage MCA and Cosmoscow.
Recommended by Vladimir Seleznyov
From the Assemblage project, 2020. The project is focused on the image of the human body striving to move beyond the dichotomy of nature and culture.
From the Assemblage project, 2020. The project is focused on the image of the human body striving to move beyond the dichotomy of nature and culture.
From the Assemblage project, 2020
From the Assemblage project, 2020
From the Assemblage project, 2020
From the Assemblage project, 2020
From the Under the Dome project, 2013-2019. This project includes sculptures, glass objects, sound installation, and photography, and is an exploration of places of meteorite falls
Site-specific reenactment in the place where Chelyabinsk meteor hit the Earth. From Under the Dome project, 2013-2019
Under the Dome, 2013-2019. Installation view at the OkNo contemporary art gallery, Chelyabinsk, 2018
From the Lookbook project, 2014-2018. Installation view of The Fabric of Felicity exhibition, Garage Museum, Moscow, 2018. By using the contents of the 80s-90s home wardrobe, the artist tries on the looks of women from older generations
From the Lookbook project, 2014-2018. Total installation, Chelyabinsk Museum of Fine Arts, Chelyabinsk, Russia, 2018. In this project, a lookbook becomes an archive
From the Landscape project, p. I-II, 2014-2018. Installation view at the OkNo contemporary art gallery, Chelyabinsk, 2016. The first part of this project is an exploration of the space shared by a new family
From the Landscape project, p. I-II, 2014-2018. Installation view of the exhibition The Beginning, the End and Almost Everything in Between, NCCA, Yekaterinburg, 2018. The second part is about separation and abandon of the shared landscape
From the Landscape project, p. I-II, 2014-2018
