The creative path of Kazakh artist Aza Shadenova has not been straightforward: born in Uzbekistan and raised in Kyrgyzstan, she moved to the UK in 2007 and is now based between London and Hastings. Her career breakthrough happened in 2013, with her participation in the 55th Venice Biennale as part of the Central Asian Pavilion. Back then Shadenova’s main media were video and photography, and her main subject the emerging identity of young girls on the crossroads of cultures in Central Asia.
Since then Shadenova has also spent a portion of her time as the front woman of no wave/experimental punk band Manflu, before fully committing to painting. Her large-scale canvases twist together intricate patterns, bold colours, gold and curvy writing — channeling the conflicting cultural experiences of East and West, immigration and belonging.
Text: Anastasiia Fedorova
Want more stories delivered to your inbox? Sign up to our newsletter here:
More from Art
Trace the fate of one anti-tsarist caricaturist and his seditious images
How Orbán’s Hungary launched a culture war from within