A guide to the New East
Photography

Man in the middle: searching for a national identity, one portrait at a time

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These family portraits of ethnic Udmurts were taken in the Udmurt Republic of western Russia by Hungarian photographer Dániel Halász. Sharp-eyed observers may notice that there is a recurring family member in all the photographs. In fact this is Halász himself, sometimes with a child on his knee, looming over two elderly relatives or simply sporting a spiffy red neckerchief.

The starting point of Halász's project was the right-wing idea, widespread in his home country, that Hungarians originally came from the Ural region and spread from there to become the greatest and most feared warriors in Europe. Looking to create an ironic reflection on this idea, Halász tried to find his supposed relatives among ordinary Udmurt families of the region. “Udmurts and Hungarians belong to the same family of Finno-Ugric people,” says Halász. “Like the prodigal son in the Bible, I returned to the ancient land.” Depending on the setting, Halász becomes a father, brother, uncle or son, temporarily older or younger. A wry take on questions of nationality and ideology becomes also an enquiry into the dynamics of family and the traditions of portraiture. 

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