‘Feeling is everything:’ Anushka Chkheidze is an unwavering force in Georgia’s electronic music
Herbarium: a Moscow exhibition explores tenderness through Russian photography
8-Bit revolution: Super Mario walks in on Russia’s latest political scandal
27 European illustrators draw their hopes for a post-pandemic world
Mask media: Soviet Kazakh health posters from the 1970s
Welcome to the USA: Assel Aushakimova on making Kazakhstan’s first lesbian film
Srebrenica on screen: Jasmila Žbanić’s Quo Vadis, Aida? wrestles with the history of genocide in the heart of Europe
‘Our city froze’: rereading Kolau Nadiradze’s 1921 poem on Georgia’s lost golden age of independence
Cooking and conversation: join an online festival of Georgian literature
The Earth is as Blue as an Orange: director Iryna Tsylik on the struggles of coming of age amid the war in Donbas
Kira Muratova: where to start with her films
Taming the Garden: Salomé Jashi’s documentary poses a singular question — what is a tree really worth?
Your guide to Tigran Hamasyan: the Armenian musician at the cutting edge of contemporary jazz
Yeraz: the dreamy debut album fusing Armenian sounds from across the world
Human tragedies made into spectacle take centre stage in Jakub Piątek’s Prime Time
‘Culture is worth suffering for’: the rise and fall of Kirill Serebrennikov
Fungus: the queer Georgian art collective destroying toxic social norms
‘Loneliness is the poet’s friend:’ 6 new poems from Uzbek writers
The Irony of Fate and other must-watch films starring Andrei Myagkov, Russia’s lovable actor
Dance for Belarus: listen to the electronic album supporting victims of political repression
