A railway romance: Compartment No. 6 captures the magic of chance encounters aboard a Moscow-Murmansk train
The Calvert Journal Film Festival 2021
Sátántangó is a 7-hour apocalyptic masterpiece about human sorrow | Film of the Week
The Calvert Journal Film Festival launches 2021 edition
Unclenching the Fists: a young North Ossetian woman’s odyssey to freedom
The Party and the Guests: the absurdist film that was ‘banned forever’ in communist Czechoslovakia
The Elegy of Laurel: Dušan Kasalica spins a frantic modern fairy tale from the depths of a Montenegro forest
Lithuanian crime thriller Pilgrims wins top award at Venice Film Festival
Yellow Cat follows one man’s impossible dream to build a cinema in the Kazakh steppe | Film of the Week
Kirill Serebrennikov’s Petrov’s Flu is an unsettling, timely pandemic delirium
Learning Russian: The Calvert Journal’s ultimate cultural guide
10 era-defining Polish films from the 50s to the present day
Elizaveta Svilova: the woman behind The Man With a Movie Camera
Enter Through The Balcony is a tender love letter to the microcosmic worlds of makeshift balconies | Film of the Week
Behind the surreal, satirical lens of Binka Zhelyazkova, Bulgaria’s prolific female director
Colors of Tobi: an intimate story of queerness and family in contemporary Hungary
Epic journeys, crime thrillers and Keanu Reeves: Siberia through the eyes of foreign filmmakers
Letter from the Sarajevo Film Festival: how cinema brought new life to the heart of Bosnia and Herzegovina
Balabanov’s ganster film ‘Brat’ shook, explained and defined 90s Russia | Film of the Week
7 highlights not to miss from the Sarajevo Film Festival 2021
