Why did Valeska Grisebach set her modern western in Bulgaria?
Film
Latest
Cinema in the round
When it opened its doors to the public in 1959, the Soviet Union's Kinopanorama wowed audiences with its cutting edge technology, but has mostly been neglected and forgotten in recent years. As it undergoes its first refurbishment in half a century, The Calvert Journal looks at…
-
-
The master of the Polish Poster School on his dark and lurid vision of cinema -
Alexei German Jr brings Russia’s favourite downtrodden literary hero to the screen -
Meet the women at the forefront of new Georgian cinema -
A journey down the red carpet, from War and Peace to Zvyagintsev -
The Berlinale-winning Romanian film that has provoked international outrage -
An essay on the term that caught the world’s attention -
The New East cinema you need to see this year -
Russia’s Ministry of Culture stages its own censorship farce -
Our pick of the best movies, literature and music this year -
How female directors have redefined gender in Croatian cinema -
Alexey Uchitel on his controversial film — is it worth the outrage? -
The upstart Russian heirs of documentary cinema -
How outspoken director Yuri Bykov’s new TV show landed him in hot water -
How a nation’s cinema went from Socialist Realism to sexual revolution -
A black comic masterpiece? Don’t make me laugh -
The women behind the evolution in Polish short film -
Russia’s foremost director on his new film Loveless, critics and creativity -
Explore the remarkable, unknown art of a cinematic maestro -
Călin Peter Netzer on love, loss and the future of Romanian cinema -
Six New East films to catch at the 2017 London Film Festival -
Is Polish cinema at risk from its new wave of nationalist dramas? -
Serbia’s new pioneer of cinematic suspense -
The director bringing modern Macedonia’s struggles to the screen -
The trailblazing producer looking to revitalise Belarusian cinema