• JAŠA

    UTTER / The violent necessity for the embodied presence of hope.Image: JAŠA & Rosa Lux / www.jasha.org

  • JAŠA

    UTTER / The violent necessity for the embodied presence of hope. Image: JAŠA & Rosa Lux / www.jasha.org

  • JAŠA

    UTTER / The violent necessity for the embodied presence of hope. Image: JAŠA & Rosa Lux / www.jasha.org

  • JAŠA

    UTTER / The violent necessity for the embodied presence of hope. Image: JAŠA & Rosa Lux / www.jasha.org

  • JAŠA

    UTTER / The violent necessity for the embodied presence of hope. Image: JAŠA & Rosa Lux / www.jasha.org

  • JAŠA

    UTTER / The violent necessity for the embodied presence of hope. Image: JAŠA & Rosa Lux / www.jasha.org

JAŠA

Slovenian artist JAŠA has built up a body of multimedia works during his career, and now presents an ambitious mixture of spatial installation, architectural drawing and durational performance, aiming to “bind the artist, his collaborators and the public together for the duration of the Biennale” at the Slovenian Pavilion. These elements come together in a carefully thought-out week-long script, which his team will repeat 28 times until the pavilion closes in November. While the artists are bound by repetition that will test their resilience over the coming months, the visitors will observe something new depending on when they arrive.