Pavel Seldemirov (b. 1988, Volgograd) is a new media artist and art critic based in Moscow. Having received a technical education, he later studied photography and semiotics of image, as well as philosophy and anthropology. A Rodchenko Art School graduate, he is particularly interested in working with digital and interactive media.
Recommended by Helena Nikonole
IfRO&D, 2019. Surrounded by 84 laser beams, a viewer triggers sound, which, in turn, may influence the viewer’s next movement
IfRO&D, 2019. This total installation is a reflection on our complex interactions with our environment: action, reaction, counteraction
Laser Grass, 2016. An exploration of possibilities of communication between the biological and the technological, this installation matches laser diodes with plants
Place in Clouds, 2016. This project takes the viewer on a tour around an old childhood home
Place in Clouds, 2016. Somewhere between a documentary and a memory archive, the work makes use of 3D technology, which is itself comprised of many photographical elements—what the artist calls “memory particles”
Storm Cloud, 2018. In a haze-filled space, 60 light objects flash according to the algorithm that analyses a recording of the thunder
Storm Cloud, 2018
The Becoming, 2020. In this total installation, we enter a VR space that contains artefacts from 2020 and reflects on the global crisis of that year and the ways in which it affected and blended our online and offline worlds
The Becoming, 2020. The shape of a magic circle is reminiscent of a transition ritual, and also alludes to work of Eugene Thacker, philosopher particularly interested in science, technology, and biopolitics
