Sátántangó is a 7-hour apocalyptic masterpiece about human sorrow | Film of the Week
Enter Through The Balcony is a tender love letter to the microcosmic worlds of makeshift balconies | Film of the Week
Balabanov’s ganster film ‘Brat’ shook, explained and defined 90s Russia | Film of the Week
Nureyev lifts the curtain on the ecstasy and tragedy of Russia’s greatest male ballet dancer | Film of the Week
Mixing animation and archive, Chris the Swiss investigates the death of a journalist in the Yugoslav Wars | Film of the Week
Enticing, Sugary, Boundless is a mosaic film on the power of life | Film of the Week
I Am Cuba is a delirious chronicle of the Caribbean island through the Soviet gaze | Film of the Week
Sweat is a sobering portrayal of fame in the age of Instagram | Film of the Week
Prime Time is a harrowing hostage drama set at the turn of the 20th century | Film of the Week
Set on a Transylvanian estate, Malmkrog is a journey through a dreamlike, philosophical dinner party | Film of the Week
Treasure City is an enchanting ensemble tale of a Hungarian city at twilight | Film of the Week
In Hello Mother, queer identity and Armenian tradition collide | Film of the Week
With a hazy summer feel, Leto is a spirited requiem for a lost past | Film of the Week
State Funeral is a monumental oeuvre on the tumultuous aftermath of Stalin’s death | Film of the Week
The Lawyer is a revolutionary representation of queer love in modern-day Lithuania | Film of the Week
Set against the backdrop of war, Tangerines is a bittersweet exploration of war and the hope of atonement | Film of the Week
Set in a fictional post-war Ukraine, Atlantis is a dystopian parable of our near future | Film of the Week
